Product Description

Sony Alpha A550L 14.2MP Digital SLR Camera w/ 18-55mm Lens

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Product Details

• Amazon Sales Rank: #6287 in Camera & Photo
• Color: Black
• Brand: Sony
• Model: DSLRA550L
• Dimensions: 4.10" h x 5.40" w x .0" l,
• Display size: 3

Features

• 14.2-megapixel resolution for incredible detail; new Sony Exmor CMOS image sensor
• Included 18-55mm lens covers everything from wide angle to midrange telephoto shots, features Smooth Autofocus Motor (SAM) for silent operation
• Quick Auto Focus Live View for composing shots in the LCD monitor; Manual Focus Check Live View enables critical focus in macro and tripod shooting
• Auto HDR (High Dynamic Range) captures more scene contrast than a single exposure can handle by combining two exposures into one shot
• Dual media slots for Memory Stick PRO Duo/Memory Stick PRO-HG Duo and SD/SDHC media (sold separately)

From the Manufacturer

Step up to the Sony a550. Enjoy the spectacular imagery of 14.2 megapixels with ISO 12800 sensitivity. Experience the versatility of Quick Auto Focus Live View or MF Check Live View on the tiltable 3.0-inch LCD screen. Discover the superb response of up to 7 fps of continuous shooting.

Alpha A550 Highlights

14.2 megapixels for amazing pictures
This camera's 14.2 megapixel resolution makes for incredible detail and gorgeous enlargements. The all-new Sony Exmor CMOS image sensor ensures state-of-the-art response. The large, APS-C format means high sensitivity, powerful depth-of-focus control.

Superb in low light (ISO 12800)
An all-new Sony's Exmor CMOS image sensor employs new low-noise processing, for uncommonly clear pictures. The BIONZ image processor with chroma noise reduction helps achieve low noise all the way up to ISO 12800, without sacrificing resolution.

More responsive Live View
All DSLR Live View systems enable you to compose shots in the LCD monitor, just as you would with a point-and-shoot camera. But not all Live View systems are created equal. Some take a painfully long time to focus. Some even black out the LCD before focus. Either can cause you to miss shots. Sony's Quick Auto Focus Live View solves these problems, making it easier to get the best shot.

Quick Auto Focus Live View
Unlike competing cameras, the DSLR-A550 is just as responsive in Quick Auto Focus Live View mode as in optical viewfinder mode. That's because, unlike the others, the a550 uses the same "phase detection" auto focus for Live View as for the optical viewfinder. While other Live View systems are severely restricted, Sony's performs superbly any time--even if you're shooting handheld or chasing after moving subjects like kids or pets.

Manual Focus Check Live View
For critical focus in macro and tripod shooting, the a550 also offers Manual Focus Check Live View. Temporary 7x and 14x zoom views enable you to focus on extremely fine detail while the 1x view shows 100 percent framing in the LCD.

Face Detection technology
The a550 enhances Quick AF Live View shooting with Face Detection technology, which helps you get the best shot by recognizing faces and applying the proper focus, exposure and white balance. World's first Face Detection system to work with fast, high-precision "phase detection" Auto Focus.

Smile Shutter technology
Another Quick AF Live View enhancement, Smile Shutter technology automatically takes the shot when your subject smiles. Works with Quick Auto Focus Live View to capture spontaneous moments, making the difference between a missed shot and a cherished memory.

Tiltable 3.0-inch LCD
Even if you're completely comfortable with the optical viewfinder, Sony's tiltable LCD empowers your photography with a different point of view. Helps you frame high and low-angle shots that would otherwise be hit or miss. The LCD tilts up or down 90 degrees to capture a child's first steps or shoot over a crowd. The 3.0-inchLCD features 921,600 pixels and Sony's Clear Photo LCD display technology.

Up to 7 fps of continuous shooting
Up to 7 frames per second in speed priority mode can capture the decisive moment in sports or get the ideal baby photo. You can also shoot at up to 4 fps with Quick Auto Focus Live View.

Auto HDR built into camera
High Dynamic Range (HDR) photography captures more scene contrast than a single exposure can handle by combining two exposures into one incredible shot. Until recently, you needed a computer and editing software to enjoy HDR. Now the a550 has Auto HDR built in. Handles severe backlighting and other high-contrast scenes. Captures in a split second. (Recommended for still subjects.)

Advanced DRO in action

Dynamic Range Optimizer
Dynamic Range Optimizer improves results with backlit subjects and recovers details hidden in shadows. Normal DRO improves detail using standard gamma curves for fast shot-to-shot response time, while Advanced DRO adjusts dynamic range area-by-area for greater accuracy.

SteadyShot INSIDE stabilization
Image stabilization helps you take blur-free shots by compensating for camera shake. Typical DSLR systems build image stabilization into selected lenses only. SteadyShot INSIDE image stabilization is built into the camera body itself. You'll reduce blur with every a-mount lens, including macro and wide-aperture standard zoom lenses.

Smart Teleconverter 2x Digital Zoom
In Quick Auto Focus Live View mode, you can extend the optical zoom of your lens with digital zoom. One touch zooms in at 1.4x, while a second touch advances to 2x zoom. The system reproduces pixels on a 1:1 basis so there's no degradation in picture quality.

Powerful Supplied Software
To help you refine and manage your images, the a550 is equipped with comprehensive computer software, including Image Data Converter SR, Image Data Lightbox SR and Picture Motion Browser (PMB).(Compatible computer required, not included)

BIONZ image processor
A newest version of Sony's BIONZ image processor uses chroma noise reduction to deliver high-resolution, low-noise photos even at ISO 12800 sensitivity. This powerful Sony Large Scale Integrated circuit (LSI) also delivers fast processing for quick response on data-intensive 14.2-megapixel images.

Help Guide and Graphic Display
An informative on-screen Help Guide and Graphic Display provide ready reference to advanced camera functions. The Help Guide explains the camera's modes and settings, while the Graphic Display clarifies the relationship between aperture and shutter speed, as well as the effect each has on photographic results.

HDMI output for HD viewing
Connect your camera to a compatible HDTV and play back your images in stunning high definition. The a550 includes an HDMI output (HDMI cable required, sold separately). In addition, the BRAVIA Sync system works with compatible Sony BRAVIA HDTVs to let you control camera playback using the television's remote.

Eye-Start Autofocus

Eye-Start Autofocus
For maximum speed, Eye-Start Autofocus begins focusing as soon as you raise the camera to your eye. So the camera is ready to catch the perfect moment.

9-Point AF Sensor
To get the best shot under a wide range of situations, the a550 uses a 9-Point AF Sensor with Center Cross. In addition, predictive focus control automatically calculates the position of fast-moving subjects, perfect for pictures of kids and pets.

Six Creative Style settings
Control how the camera processes your images with six finishing styles: Standard, Vivid, Portrait, Landscape, Sunset and B&W. You can even fine-tune contrast, saturation, and sharpness to your personal taste.

Anti-Dust Technology helps keep the CMOS imager clean

Built-in Auto Pop-Up Flash
To help you shoot more effectively, the built-in flash automatically pops up and fires as needed when the camera is set to certain scene selection modes. The built-in flash also triggers a wireless accessory flash (sold separately). The integrated hot shoe enables you to expand your lighting options with a range of accessory flashes (sold separately).

Anti-Dust Technology
Anti-Dust Technology helps keep the CMOS imager clean, resulting in consistently better pictures. First a static-free coating on the CMOS filter helps repel dust. Then vibration automatically dislodges dust from the CMOS each time you shut off the camera.

Up to a 1000 Shots of battery life
Take up to 1000 shots on a single charge (optical viewfinder mode); up to 520 shots (Live View mode) with Sony Stamina battery power. Sony's InfoLITHIUM battery system enables you to see the percent of power remaining, so you can keep shooting in confidence.

PhotoTV HD compatibility
PhotoTV HD compatibility enables you to automatically create high-resolution thumbnails optimized for viewing on a compatible Sony BRAVIA HDTV.

Six Scene Selection Modes
To help you get the shot, Scene Selection Modes optimize the camera settings for common shooting situations. Just turn the Mode Dial to select from Portrait, Landscape, Macro, Sports, Sunset, and Night View modes.

Index and Slide Show Display
Quickly review your photos using 4- or 9-frame index views, or as an automatic slide show with fade-in/fade-out effect.

Dual Media Slots
For cost-effective, convenient storage and sharing of your images, the a550 accepts Memory Stick PRO Duo/Memory Stick PRO-HG Duo and SD/SDHC media (sold separately).

Supplied zoom lens (DSLR-A550L kit)
The DSLR-A550L kit comes with the SAL1855 DT 18-55mm zoom lens, which covers everything from wide angle to midrange telephoto shots. Sony's Smooth Autofocus Motor (SAM) delivers silent autofocus operation.

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Customer Reviews

Most helpful customer reviews

60 of 62 people found the following review helpful.
A very responsive DSLR with clean pictures
By Andrew Siew
Sony has been trying really hard to compete with Canon, Nikon, Olympus and other major DSLR players since the release of the alpha 100. The 550 along with 500 are the latest additions to Sony's already very crowded DSLR line-up.

Unlike its other live-view siblings, the 550 is a very fast live-view enabled DSLR. Clocking at 4 frames per second under live-view (with continuous focusing), the frame rate surpasses many of the earlier Sony DSLRs, trailing behind only the alpha 700 and 900. None of these models are live-view enabled. There are a few options for continuous shooting for the 550 here: Hi, Lo, and speed priority. At "Hi" mode, the DSLR blasts away at 4 fps while it tracks the subject's movements. There are few instances of hesitation here, where the camera slows down a little, but the bottom line is, Sony did not lie about the 4 fps capability. Switching to speed priority, however, was a bit of a let down for me. Although the continuous rate immediately went up to an amazing 7 fps (you can literally hear the shuttle slamming away like mad at 7fps), the live view was disabled and the screen went dark. Therefore, you can't track the subject while you're firing at 7fps with the live view mode turned on. Also, the camera can't track a subject moving toward or away from you.

The maximum number of continuous shots according to the manual is as follows: Fine (JPEG) = 32 shots, Standard (JPEG) 116 shots, RAW & JPEG = 7 shots and RAW = 14 shots. One good thing about the camera is that it does not slow down as you're reaching toward the limit of these figures, so far I've tested Fine and Standard mode, and the camera does not disappoint.

The Exmor sensor is impressive, although it won't impress Canon or Nikon DSLR owners (Do refer to the sample images on top, and observe how the noise level of this new sensor increases with the increase in sensitivity). Maintaining details and color all the way up to ISO 1600 is no easy feat, but the 550 does it well with the new APS-C CMOS Exmor sensor. There is unfortunately still enough chroma noise visible at full zoom, probably due to the fact that Sony's noise reduction engine has never been great to begin with (all their earlier alpha models had alot of chroma noise at high ISOs), but the Exmor sensor helped alot in bringing the 550's sensitivity up to 12,800. Granted, chroma noise is really high at that ISO and details are being sacrificed with the noise reduction engine aggressively filtering out those stray signals, but when you really need to shoot at that sensitivity, you'd be glad that the 550 actually gives you the option to do so. Earlier alpha models maxed out at ISO 3200, with heavy noise reduction that had no effect whatsover on chroma noise. Entry level models, especially the a300 series (including the latest a390), suffer horribly from color blotches at ISO 1600 to ISO 3200 (the results are actually worse than the a200 models (including the latest a290)), which renders their full resolution exposures completely useless.

The Auto HDR should only be turned on during really severe back-lit conditions. When applied, it brings the shadows out of the dark and produces a well balanced image without the use of fill-in flash. However, when used under normal conditions, the Auto HDR will over-compensate the shadows and produces a dull and "flat" image. The effect is however adjustable, from +1.0 EV to +3.0EV. The Auto HDR should also not be used for capturing moving objects, as two consecutive frames will be captured and overlapped against each other to produce the final image. A football flying across the football field will turn into two footballs in the final image. Dynamic Range Optimizer (DRO, 5 different selectable levels) should be used under normal shooting conditions and when shooting fast moving subjects. However, do note that as the DRO function pushes the shadow areas out of the dark electronically, the noise level in those dark areas will increase along with the DRO setting. DRO Lv4 and Lv5 produce very noticable noise in darker areas, so should be used sparingly.

The new DT 18-55mm lens has less zooming power than the DT 18-70mm model that comes with older alphas, but the resolving power of this new lens is somewhat impressive. The DT 18-70 could barely make it past the 10MP mark, whereas the DT 18-55 seems to be able to capture details beyond what the alpha 550's 14.2MP sensor could see. The focusing mechanism is very quiet and responsive, making it easy for you to get close to pets and creatures that are easily startled by sounds. But if you already have an army of alpha mount lenses waiting for the 550, I would recommend that you skip this camera-lens combo and go straight for the body only package.

Another thing to note about the DT 18-55mm lens is that is has an amazingly minimum focusing distance, at 25cm. This is the shortest distance you can place the camera's sensor from your subject. With the zoom dial set all the way to 55mm, this entry level lens is able to capture very impressive macro photos. The DT 18-70mm (bundled with older entry level alphas) had a minimum focusing distance of about 40cm, so this new lens, unlike its older sibling, makes a great macro lens too, if you are not trying to magnify a button or a bead. The actual distance of the subject from the glass of the lens is alot less than 25cm, as the minimum distance is measured from the surface of the sensor to the subject.

After using the a550 for almost 10 months, I'm having no luck finding any reasons to regret having replaced my a350 with this model. Granted it is not one of the best cameras out there, with limited customization (no control over maximum ISO, minimum ISO when the ISO is set to auto, like a Nikon, and no minimum shuttle speed control) and a few missing external controls (like white balance or steadyshot switch, both can be found on a350) and the LCD screen is little bit crowded with alot of unnecessary information for the sake of point-and-shoot camera users (but can be turned off, thankfully), the design of the updated graphic user interface is simply sublime.

And more importantly, for anyone who has been using an entry level Sony DSLR (200, 230, 290, 300, 330, 350, 380, 390), the quality of the images produced by the a550 at high ISO (800 and above) will astound you. Your low light pictures will now be almost clean, with minimal chroma noise, with smooth, film-like grains added to the exposures progressively as the ISO climbs to the maximum value of 12,800.

30 of 32 people found the following review helpful.
Has Bells, has Whistles & Delivers too
By Dave Mayer
I can remember sitting in an outdoor cafe in St. Martin on the French side with my Canon EOS film camera on the table. I was alone, looking out over the bay in Marigot, wishing I was on one of the sailboats going out to sea, when a man asked if he could join me. It's not what you think, all the other tables were full with couples or more. I was the only one dining (actually drinking) alone. So I told the portly Dutch guy, "Sure, no problem."

He sat down, immediately pointed a small digital camera out to sea and snapped a few shots, then he showed them to me on a small LCD screen. Damn, I thought. Digital photography just might catch on.

And it did, but I didn't make the jump from film to digital until the the summer of 2006, six years after I'd met that guy in Marigot. Why, it took me so long, I don't know. The laundry room I'd converted into a dark room, maybe. I was a pseudo, photo taking stuck up snob, who thought film was better, probably. I was an idiot, certainly.

My ex, also a photo taking snob, got the house, the darkroom, my heart in the divorce and I threw in all my gear and moved to a condo by the beach. Huntington Beach, where I could see the ocean from my front door. Lots of surf there. You can see Catalina on a clear day and the pollution makes for gorgeous sunsets. The sunrise on the water is gorgeous, too.

And because there was no room for a darkroom in my small condo, I decided it was time to go digital and I bought a new Sony Alpha 100. And I liked it. Rather than upgrade the body year after year, I concentrated on lenses and I have a lot now. But my Alpha 100 body got long in the tooth, so I upgraded to an Alpha 550 and wowza, this is a camera.

Bigger pictures, 14.2 megapixels, a bright three inch LCD. The resolution is so good you can even read it in bright sunlight. The live view is great, but there is no video which you can find on Canon and Nikons, but I don't do video, so I don't miss it. The camera accepts both SD cards and memory sticks.

This camera has bells, it's got whistles. Built in IS, which helps keep the price of the lenses down, five frames per second shooting with auto focus, seven without. Want face detection? This camera has it. Smile detection too, though I believe that's overkill and I don't use it. I could go on and on about this cameras features, but all the bells and whistles in the world wouldn't be worth a hill of beans if it didn't deliver and this camera really delivers. For me it comes down to noise, because I do a lot of low light shooting. I got noise at 800 ISO & above on my Alpha 100, but not now. Shooting at 6400 ISO and you don't see any noise. You can shoot 12.800 and it's barely noticeable, depending what you're shooting.

And this camera just feels right in your hands. They say this isn't a professional camera because it's not full frame. Well, that's just crazy talk, because if you can't full fill your photographic dreams with this camera, you can't call yourself a pro.

20 of 21 people found the following review helpful.
Get the camera but dump the 18-55 lens
By Jackal
I'm happy with this camera. However, the development of digital cameras is very fast so the camera is likely to be behind cutting edge in a couple of years. I bought this camera because it is not that expensive, so one can always upgrade. Some good and bad things:
- Steady shot makes it possible to take very sharp pictures at 1/15.
- Quite decent performance up to ASA 800. I can go up to ASA 12,800, which results in noise, but also sharp pictures in very low light. If you like me hate using the flash, this is great. I'd rather have grain than flat flash light.
- Very sharp live viewfinder. I cannot do without this facility anymore. Not many higher-end DSLR cameras have this function yet.
- The autofocus does not work that well in low light. I don't know if other cameras are better. However, the Manual Focus Live Viewfinder function is very good when using manual focus in low light and low contrast settings.
- The camera isn't well prepared for HDR (high dynamic range). There is a built in function (works just so so), but I'd rater be able to do bracketed exposures in 1 or 2 EV steps. That is not possible. I can do bracketed exposures in 0.3 or 0.7 EV steps but that isn't really useful for HDR. Clearly Sony is holding back on performance for the next model in 2010.
- The camera fits okay in my standard male sized hands. Bigger might fit better but it is also nice that the camera is not bulky.
- Information panel is informative, except for ASA level when using ASA Auto setting. It would have been very nice to know what ASA level the camera decide to use when in Program mode.

If you buy this camera, skip the 18-55 lens and go for the 18-250 lens instead Sony SAL18250 Alpha DT 18-250mm f/3.5-6.3 High Magnification Zoom Lens w/Lens Hood. It just doesn't make sense to buy a USD1,000 camera and fit it with a USD100 lens. The longer zoom is a good allround lens. A bit slow, but with an amazing range, 27-375 35mm equivalent. I actually don't find a 200mm zoom that useful, but when you can go up to 375mm new opportunities open. If you want to spend some more dollars, get the 50mm f/1.4 lens. That lens will function like 75mm, which is not optimal, but that is really the only chance of getting a wide open aperture lens. (Sony also sells a 35mm f/1.4, but that is very expensive and has received poor reviews.) The advantage with the 50mm f/1.4 lens is that it is full-frame so it can be used when you later upgrade to a fullformat camera.

See all 9 customer reviews...